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The Eye, by Vladimir Nabokov
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Nabokov’s fourth novel, The Eye is as much a farcical detective story as it is a profoundly refractive tale about the vicissitudes of identities and appearances. Smurov, a lovelorn, excruciatingly self-conscious Russian �migr� living in pre-war Berlin, commits suicide after being humiliated by a jealous husband, only to suffer even greater indignities in the afterlife as he searches for proof of his existence among fellow �migr�s who are too distracted to pay him any heed.
“Nabokov writes prose the only way it should be written, that is, ecstatically.” ―John Updike
- Sales Rank: #6243281 in Books
- Published on: 2015-08-18
- Formats: Audiobook, MP3 Audio, Unabridged
- Original language: English
- Number of items: 1
- Dimensions: 6.75" h x .50" w x 5.25" l,
- Running time: 3 Hours
- Binding: MP3 CD
Language Notes
Text: English (translation)
Original Language: Russian
From the Inside Flap
Nabokov's fourth novel, The Eye is as much a farcical detective story as it is a profoundly refractive tale about the vicissitudes of identities and appearances. Nabokov's protagonist, Smurov, is a lovelorn, excruciatingly self-conscious Russian emigre living in prewar Berlin, who commits suicide after being humiliated by a jealous husband, only to suffer even greater indignities in the afterlife.
About the Author
One of the twentieth century’s master prose stylists, Vladimir Nabokov was born in St. Petersburg in 1899. He studied French and Russian literature at Trinity College, Cambridge, then lived in Berlin and Paris, where he launched a brilliant literary career. In 1940 he moved to the United States, and achieved renown as a novelist, poet, critic and translator. He taught literature at Wellesley, Stanford, Cornell, and Harvard. In 1961 he moved to Montreux, Switzerland, where he died in 1977.
Most helpful customer reviews
27 of 27 people found the following review helpful.
Eye Scream Ewe Scream We All Scream...
By Gio
... for more Nabokov! If only he'd been as prolific as Anthony Trollope. This short novella, written in Berlin in 1930, is not nearly the apex of Nab's oeuvre, but it's awfully good. Even when no one could mistake his lepidopterine syntax, it's fun to see him writing in a new genre with every book. The Eye is a tale in the 'doppelg�nger' tradition of Poe's William Wilson, Hawthorne's Wakefield, and Melville's The Confidence Man, though there's no reason to assume that Nabokov was aware of his American forerunners. Since the whole novella is built around the reader's dawning suspicions, I can't say much more about the plot without spoiling your pleasure.
The Marxist Revolution makes a cameo appearance in The Eye - its Russian title was closer to 'The Spy' - as in nearly all of Nab's books. In a brief dismissal of historical determinism, he writes: "Luckily no such laws exist: a toothache will cost a battle, a drizzle cancel an insurrection. Everything is fluid, everything depends on chance, and all in vain were the efforts of that crabbed bougeois in Victorian checkered trousers, author of Das Kapital, fruit of insomnia and migraine. There is a titillating pleasure in looking back at the past and asking oneself 'What would have happened if...' and substituting one chance occurrence for another, observing how, from a gray, barren, humdrum moment in one's life, there grows forth a marvelous rosy event that in reality had failed to flower. A mysterious thing, this branching structure of life..." That, my friends, is not only an eloquent dismissal of Marxism but also a fine statement of evolutionary contingency.
Just one more passage from Nab's own words, intended to entice your reading:
"And yet I am happy. Yes, happy. I swear, I swear I am happy. I have realized that the only happiness in this world is to observe, to spy, to watch, to scrutinize one self and others, to be nothing but a big, slightly vitreous, somewhat bloodshot, unblinking eye. I swear that this is happiness."
Okay, I'll accept that, as long as this eye has another Nabokov novel to read.
11 of 11 people found the following review helpful.
One of Nabokov's best novels.
By Red diva 41
The Eye is often overlooked because it is so short (around 100 pages in most editions) and because it turns on a gimmick: the narrator kills himself near the start of the story and then finds that his thoughts live on "by momentum." But it is Nabokov's special gift to make his tricks more than just tricks, and The Eye is the first of his books to do this on a grand scale. In some ways this is among the most moving of Nabokov's works, as well as one of the most entertaining.
9 of 10 people found the following review helpful.
Not his best, but essential
By Randall Froeschle
In later works, Nabokov mused on the nature of identity with sharper, more amusing, and more penetrating results. But this book, by my count, was his first lengthy foray into the subject. In Smurov, he created a character whose self-image is an attempt at an amalgamation of the Smurov's everyone who knows him sees. A fun meditation on the importance of the opinions of others and a compelling death story. Much more, of course. And, of course, beautiful, beautiful.
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