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Chord Tone Soloing for Jazz Guitar: Master Arpeggio Soloing for Jazz Guitar, by Mr Joseph Alexander
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Easily Master Jazz Guitar Soloing
Quickly learn how to solo over the 13 most essential chord progressions in jazz guitar using arpeggios, substitutions and chromatic approaches.
Jazz Arpeggios, Extensions and Substitutions to Develop & Enrich Your PlayingLearn the best arpeggios to use over the thirteen most common chord sequences in jazz and bebop guitar playing.
Learn to Approach Jazz Guitar the Right WayJazz guitar can be a challenging style of music to learn. As guitarists we are often more comfortable playing scales rather than the true building blocks of jazz solos; arpeggios, so it can be difficult for us to emulate and build authentic bebop language.
Musically Apply Jazz Guitar Arpeggios to the 13 Most Important Chord Progressions in JazzThere are many different bebop chord progressions, but in essence they can be broken down into just thirteen simple structures.
Chord Tone Soloing for Jazz Guitar teaches you to how to use arpeggios, extensions, chromatic ideas and substitutions over each of the thirteen essential jazz sequences, and how to combine these building blocks into authentic, melodic solos.
Each progression is approached both logically and methodically to build articulate guitar solos from the fundamental principles of jazz guitar. By applying arpeggio-based techniques, and learning to decorate your solos with chromatic ideas, you will quickly learn how to 'play the changes' in a musical and creative way.
Chord Tone Soloing for Jazz Guitar helps you build an articulate jazz language around the most important sequences in jazz.
Play the ChangesJazz soloing developed around the concept of 'hitting the changes' and by combining rich arpeggios with chromatic ideas you will quickly master the jazz guitar language.
Learn to• Target Chord Changes with Arpeggios
• Add Richness and Colour with Arpeggio Extensions
• Form Interesting and Exciting Lines with Chromatic Approach Notes
• Use 'Outside' Substitutions to add Altered Tensions to your Playing
• Develop your Solos using Essential Rhythmic Concepts
• 103 Pages that Dissect the 13 Most Important Chord Sequences in Jazz
• 124 Notated Audio Examples (Free to Download from www.fundamental-changes.com)
• 14 Backing Tracks and over 80 Minutes of Audio
• A Complete and Comprehensive Approach to Jazz Guitar Soloing
This is a new release and reviews take time! Check out our other popular releases with over 1000 positive reviews on Amazon. If you like this book, please take a second to review it. If you have a question, please get in touch through the fundamental-changes.com website where you'll find over 250 free guitar lessons.
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- Sales Rank: #271035 in Books
- Published on: 2015-05-11
- Original language: English
- Dimensions: 11.00" h x .24" w x 8.50" l, .68 pounds
- Binding: Paperback
- 104 pages
Most helpful customer reviews
14 of 14 people found the following review helpful.
The trio is complete
By Pavel Rusnok
I already have some books by Joseph Alexander and all of them are very good. Joseph is strong in explaining some fine details and will guide you in very understandable (easy to digest/small steps/applicable) way from ii V I to other more complicated yet still very frequent jazz chord progressions. I compared the progressions he included in this book with article "6 Common Chord Relationships that You Need to Know Now" on jazzadvice.com. Except the I vii (half-diminished) relationship all of them are included in progressions Joseph studies in his book. So, I think that he has chosen the progressions very well and I think it is better to study longer progressions than just two chord relationships.
I was afraid that this book will have big overlap with his book Fundamental changes in jazz guitar, but the overlap is rather smaller and this book together with Minor ii V Mastery and the mentioned Fundamental changes form very good trio that I encourage everyone to buy.
4 of 4 people found the following review helpful.
Consistent Quality Instruction
By Jon Schwartz
I'm buying this volume in Alexander's collection because previous purchases of several of his method books have really helped me develop both in the specific techniques in those books, and also with an overall approach to an emerging "curriculum" for my level, using his books. Others have pointed out the clarity of Alexander's writing and methods. I concur. There are many guitar methods, old and new. Many have quite good material. Alexander's benefit in my opinion from his skill as a teacher. I believe many of us buy method books to use without a teacher. When that is the case, the value of a given book can often rise or fall depending upon the author's ability to convey in print what a *good* teacher can do in person. I'm not suggesting books can replace teachers! However a good writer can explain concepts AND pace corresponding, effective exercises and materials so that a person can learn what is intended much more easily than otherwise would be the case. This Alexander consistently does, and does well. When matched with critical material for specific genres, it's an unbeatable combination.
I have a micro and macro suggestion or request that I hope Alexander will consider. First, within each book there are normally excellent instructions and explanations for each segment. But in the many cases where several distinct and largely independent techniques are set forth, each of which are core to the book's theme, it could be helpful to make a clear overview of more than a suggested schedule for various techniques. Do I stop practicing all elements in one chapter when working on another chapter on a separate technique? When various elements are not clearly sequential, suggestions on an approach to completing the entire book would be helpful to the independent learner. Do i simply stop practicing material in one part of the book and move on? Or try and juggle more and more of the techniques until the one book fills my available daily practice time? Alexander sometimes suggests how much time to devote to a "chunk" of exercises. I'd like to see that applied to the scope,of the book.
The second, macro, suggestion, is similar. The growing body of Alexander's varied catalog is an embarrassment of riches! I find myself wishing for curricula, or syllabus, a framework for his many useful books. Some are clearly entry level, beginner books. There are several series "Fundamentals", "The Complete..." I have a couple that mention another book in the introductions. What would be immensely helpful (and perhaps encourage further purchases?) would be a PDF "map" of how various of his books might logically fit in a student's development. Certainly there are different musical genres that set some books apart. But his collection is large now, and usefully conceived. Where might "Jazz Blues Soloing" fit if one is currently working on "Fretboard Fluency" and "Guitar Chords In Context"? Should the present volume follow the "Fundamentals in Jazz Guitar" series?
These suggestions came up because i consider myself a long term customer, student in effect, of Alexander and want to make good choices and effective plans for practicing as time goes by.
4 of 4 people found the following review helpful.
Chromatic approaches and Decorations - Good Stuff !
By T. Johnson
great lessons in playinig OVER THE CHANGES and I especially like the chromatic approaches and the idea of "decorations" around the essentail notes....this is my 6th book and I never get enough
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