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Three of our generation's greatest poets explore the misconceptions and mythologies that surround Robert Frost.
- Sales Rank: #1580248 in Books
- Published on: 1997-09-30
- Released on: 1997-09-30
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .30" w x 5.00" l, .32 pounds
- Binding: Paperback
- 128 pages
- ISBN13: 9780374525248
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Amazon.com Review
Joseph Brodsky, Seamus Heaney, and Derek Walcott, Nobel laureates all, have written perceptive, affectionate, admiring essays on Robert Frost. Eschewing both of the prevailing caricatures of Frost (the irascible but beloved cracker-barrel philosopher and the shallow megalomaniac), these writers pay careful attention to the poems themselves. They open doors into the world of words that Frost constructed, and help readers understand the music and the ideas in those worlds. Derek Walcott's dark reading of Frost's much-quoted classic, "Stopping by Woods on a Snowy Evening," is alone worth the price of Homage to Robert Frost.
From Publishers Weekly
While in life Frost (1874-1963) took on the persona of a gentlemen farmer, he emerges from these essays as a far darker and more complex figure. And certainly no poet could ask for better critics than these three Nobel laureates. The late Joseph Brodsky offers a masterful close reading of two of Frost's poems, the lyric "Come In" and the narrative "Home Burial." Seamus Heaney's piece, though slightly less focused, is filled with insights and reads like poetry itself. Derek Walcott's essay, the most broadly focused, argues that Frost's straightforward colloquial voice was as important an innovation for American verse as the more ostentatious experiments of Williams and Cummings. He sees in Frost the heir of both Whitman and Dickinson. Each of these essays was originally published in magazines?Brodsky in the New Yorker, Heaney in Salmagundi and Walcott in the New Republic?and this book would doubtlessly have been even stronger if it had been created by design rather than happenstance. But these pieces are criticism as an art form, and a superb invitation to explore the work of a great American poet.
Copyright 1996 Reed Business Information, Inc.
From Library Journal
In this collection of three short essays, previously published in various magazines, Brodsky, Seamus Heaney, and Derek Walcott, all Nobel Prize-winning poets, strip away the celebrity of America's most loved and well-known poet to illuminate his complexity of Frost as the poet's poet and his position in defining American poetry. The essays read as lectures, with the original, intended audience unknown, but each employs a skillful explication of Frost's technical mastery and reveals how the subtle use of meter and rhyme adds a profundity to his lyrical style not always discernible by casual reading. Brodsky's "On Grief and Reason" provides a close explication of "Home Burial"; Walcott's "The Road Taken" looks at the darker side of Frost's nature poetry; while Heaney's "Above the Brim" compares Frost's style, technique, and choice of subject to European poetry. Strong poetry collections will want this because of the depth of perspective these essays add to the study of Frost and the outstanding caliber of explication demonstrated by the authors.
Denise S. Sticha, Seton Hill Coll. Lib., Greensburg, Pa.
Copyright 1996 Reed Business Information, Inc.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Brilliance shimmers on the pages.
By Gail M.
Loved the gorgeous sharing and enlightenment these poets delivered about this enigmatic, crotchety, magical American treasure. Seamus Heaney makes me weep.
6 of 6 people found the following review helpful.
This is a wonderful companion to hearing Frost's seemingly off handed reading of his material
By Amazon Customer
This is a marvelous little book to be savoured at every chance and to be re-read as well. Its instructive for both the reader of poetry and the writer of poetry and every student of poetry should read this little masterpiece.It contains many insights and adds a much needed depth to the Frost that many may suspect is not there. Brodsky's erudite rendering of Frost as a student of Virgil makes me want to run back to Virgil and read other works by him besides the Aeneid and go to The Eclogues, also called Bucolics.
3 of 3 people found the following review helpful.
Fitting Homage
By Glynn Young
Poet Robert Frost (1874 - 1963), known for his use of colloquial American speech and rural settings, won four Pulitzer Prizes, among many other honors and recognitions. By the time I was in junior high and high school, his poetry was in all the American literature textbooks; he'd been published since 1914 and I assumed he had always been well known.
What I didn't know was that to took World War II to make his work known to the general public. In Homage to Robert Frost by Joseph Brodsky, Seamus Heaney and Derek Walcott, Brodsky tells us that in 1943, the U.S. War Council distributed - as a morale builder - 50,000 copies of Frost's "Come In, And other Poems" to U.S. troops stationed overseas.
That thought is rather staggering - a book of poetry distributed to troops as a morale builder.
Brodsky, Heaney and Walcott all received the Nobel Prize for literature, which Frost never did. All three were born outside the United States; Frost was the quintessential New Englander. And in this collection of essays, each pays homage to a poet who enormously influenced them and their poet generations.
In his essay, taken from a seminar he taught in Paris, Brodsky explicates two Frost poems - "Come In" (the title poem from that World War II collection) and "Home Burial," which may have been based upon the death (from cholera) of Frost's firstborn child. Brodsky takes a journey through both poems, weaving a narrative that is both deep and suspenseful.
Heaney discusses "Home Burial" in less detail, but also covers "Stopping by Woods on a Snowy Evening" (known to generations of schoolchildren, including me), "Birches," "Desert Places" and several others. He focuses on the sounds of Frost's poetry, their "bracing lyric power."
Walcott also discusses "Stopping by Woods on a Snowy Evening" but goes beyond a simple discussion and explication, considering Frost an autocratic rather than democratic poet and looking at the "scars of devastation" from Frost's personal life and how it affected his poetry.
The three essays were not written for the purpose of a volume of homage to Frost; Brodsky's was written for The New Yorker in 1994; Heaney's for Salmagundi in 1989; and Walcott's for The New Republic in 1995. The three were assembled and published by Farrar Straus & Giroux in 1996.
To have three Nobel Prize winners recognize the value and importance of a poet's work is homage indeed.
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